By Daniel Williams
Published by the Half Pint Press, autumn 2021 (publication date to be confirmed)
Three-volume limited edition with letterpress-printed wraparound slipcase
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A visually arresting triptych, Daniel Williams’ first novel is a playful exploration of words and space, and of presence and absence, both on the page and in the mind of the narrator: a young photographer who has swapped a London high-rise and the city’s music scene and for a storm-damaged cottage in Normandy.
Escaping his solitary confinement, the Leica-less photographer heads off on a tour with two up-and-coming indie bands, Solar Plexus and the Faceless Saints. In Bordeaux he is introduced to Sophie, a meeting that shapes the rest of his stay…
Set in the 1990s, and written predominantly in striking second person prose, The Edge of the Object is a study of love, music, alienation, and of France through the lens of a Francophile, captured in a sequence of stunning calligrams.
The excerpts below are draft versions of chapters from part one and give the reader a sense of how the novel is typeset.